How Effective Are Various Methods in Reducing Recidivism Essay

Prison, non-custodial sentences and rehabilitation seem all failed in reducing recidivism; however, there is little and limited evidence to support non-custodial sentences, as well as some people think if rehabilitation could be implemented effectively, it would work. Although the advantage of prison is keeping our society from dangerous people, when it comes to reducing recidivism rate, the effect of prison is disappointing. The public usually think that imprisonment is safer for communities; however, it appears powerless to deter inmates from committing crime again. In the article, â€Å"Study shows building prisons did not prevent repeat crimes†, Fox Butterfield (2002) cites a large-scale study of recidivism from the Bureau of Justice Statistics, which investigated up to 272,111 former prisoners in 15 states during the first three years after being released. It found that 67% of inmates broke the law again in three years right after their release in 1994. It is surprised that it does not make any difference to recidivism rate which was studied in 1960’s, and it is even 5% higher than the study done in 1983. In addition, it indicated that the more rearrest records a criminal has, the higher recidivism rate he has. The inmates who have more than 15 prior arrests have 82. 1% of recidivism rate. Nevertheless, according to Emily Kingham’s article (2006), she believes that prison forces offenders to regret and reflect on their behaviour; as for the reason that criminals cannot reject the temptation of committing new crime is because of inadequate provided support. In spite of this, some experts have admitted that prison does not work in terms of reducing recidivism rate (Considering the alternatives 1978; Finckenauer 1988). Some limited evidence has shown that non-custodial sentences may decrease recidivism; regardless of some experts being sceptical about their desired achievements. On the one hand, alternative sentences can help government save money and alleviate over-cramped number of criminals in prison (Considering the alternatives 1978). On the other hand, Kingham(2006) points out that alternative sentences do nothing but return prisoners to their original circumstances, which result in unawareness of their crimes and the onsequences. One study indicated that through one of alternative sentences, intensive probation, recidivism rate is less than 20%; however, the evidence maybe weak as the study has not been completely put into practice (Considering the alternatives 1978). Furthermore, in the Minnesota, alternative sentences have been successfully adopted to keep criminal rate not increasing, but it may not be convinced because of the source not being confirmed (Considering the alternatives 1978) . While some people argue rehabilitation is also failed in reducing recidivism rate, some authors counter that if government could support rehabilitation, recidivism rate would decrease. According to the article, â€Å"Prison†, James O. Finckenauer (1988) cites some studies, which shows that even though the government has already provided with good rehabilitation programmes, they cannot achieve reformatory of inmates. On the other hand, this position is contested by Joan Petersilis (cited in Butterfield 2002), a professor of criminology at the University of California at Irvine and an expert on parole, who says that state governments spent such little money on rehabilitation programs that inmates do not receive sufficient help with drug addition, work skill and preparation for a new life, which may lead increasing recidivism rate. Butterfield (2002) further cites the statement by Mr. Travis, who also argues that criminals return to crime.

Free Essays on Corporate Culture

Corporate Culture Edgar H. Schein:The Corporate Culture Survival Guide In â€Å"The Corporate Culture Survival Guide, â€Å" Edgar Echein presents a concise analysis of the concept of corporate culture; what it is; how it operates; why it matters; and how to improve it. The book is organized around the questions that mangers ask – What is corporate culture? How can I assess it? How can I change it? The book then provides clear guidance for evaluating an organization’s current culture and determining if it supports or undermines the organization’s goals. Chapter One answers the question, â€Å"Why Does Corporate Culture Matter?†. â€Å"Culture matters because decisions made without awareness of the operative cultural forces may have unanticipated and undesirable consequences.† The author provides examples of situations where a company has an engineering culture and then brings in a CEO from sales and marketing background. This mismatch of cultures created a situation where the new CEO was unable to be effective because he was unable to understand the culture’s impact on the organization. A successful mid-life organization might not continue to prosper if they do not evolve and adapt elements of their culture. The organization clings to whatever made it a success. I have a client that was very successful in the eighties and early nineties by being self contained and developing investment products that were unique. They continue to believe that unique products are the way to success even though the market is looking for products that have easily processed and comparable features. This company is reluctant to look outside for expertise in a very competitive market and the firm has seen their market share drop, as their products do not fit easily into today’s trading parameters. The author goes on to define culture and make it clear that culture is a complex concept that is deeply embedded in an organiz... Free Essays on Corporate Culture Free Essays on Corporate Culture Corporate Culture Edgar H. Schein:The Corporate Culture Survival Guide In â€Å"The Corporate Culture Survival Guide, â€Å" Edgar Echein presents a concise analysis of the concept of corporate culture; what it is; how it operates; why it matters; and how to improve it. The book is organized around the questions that mangers ask – What is corporate culture? How can I assess it? How can I change it? The book then provides clear guidance for evaluating an organization’s current culture and determining if it supports or undermines the organization’s goals. Chapter One answers the question, â€Å"Why Does Corporate Culture Matter?†. â€Å"Culture matters because decisions made without awareness of the operative cultural forces may have unanticipated and undesirable consequences.† The author provides examples of situations where a company has an engineering culture and then brings in a CEO from sales and marketing background. This mismatch of cultures created a situation where the new CEO was unable to be effective because he was unable to understand the culture’s impact on the organization. A successful mid-life organization might not continue to prosper if they do not evolve and adapt elements of their culture. The organization clings to whatever made it a success. I have a client that was very successful in the eighties and early nineties by being self contained and developing investment products that were unique. They continue to believe that unique products are the way to success even though the market is looking for products that have easily processed and comparable features. This company is reluctant to look outside for expertise in a very competitive market and the firm has seen their market share drop, as their products do not fit easily into today’s trading parameters. The author goes on to define culture and make it clear that culture is a complex concept that is deeply embedded in an organiz... Free Essays on Corporate Culture Article ~ New York Times ~ â€Å"Speaking the Language of Success† In 1999, the Nissan Motor Company, controlled by French automaker Renault, hired Carlos Ghosn as President and Chief Operating Officer. Ghosen is â€Å"Brazilian-born, French-educated and American-experienced†. This article chronicles Ghosn’s efforts to save Nissan from bankruptcy, and the response of Nissan’s Board of Directors, Workers, and the Japanese public to a foreign manager with a different management style. Carlos Ghosn joined Nissan when the company was at the brink of bankruptcy and was able to, â€Å"boost profits, and decrease debt in a very quick fashion†. The methods and approach used to accomplish this financial revival have included:  § Changing Japanese attitudes about foreign managers and corporate culture  § Cutting Costs and Jobs by closing plants, making it necessary for employees to accept transfers to stay with the company  § Changing supplier relationships, eliminating â€Å"unwinding the traditional keiretsu system of interdependency with suppliers† who could not meet quality and cost cutting demands  § Management overhauling, replacing senior managers with younger types  § Linking pay to performance – â€Å"replacing seniority with a merit based system of cash bonuses and stock options† Hofstede’s value dimensions say, â€Å"the core of the Japanese enterprise is the permanent worker group†, they show a small power distance, a high acceptance to strong uncertainty avoidance, an acceptance of collectivism, and high goal orientation. The article confirms Hofstede value dimensions by identifying Japan as a, â€Å"land of lifetime employment and resistance to foreign control†. The results of Ghosn’s tenure at Nissan seem to contradict Hofstede. Ghosn is a foreigner, has top level meetings in English, has rewarded success through a merit system, reduced the number of parts and service suppliers based on quality, cut the workfo...

Say No to Your Darlings

Say No to Your Darlings Say No to Your Darlings Say No to Your Darlings By Michael Veteran writers often advise aspiring writers to â€Å"kill your darlings.† Grisly, isnt it, but they all say it. William Faulkner wrote, â€Å"In writing, you must kill all your darlings.† Stephen King wrote, â€Å"kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.† Notice that King said kill three times, but then, we are talking about Stephen King. According to Slates culture editor Forrest Wickman, this advice was originally given by more than a century ago by Cornish writer Sir Arthur Quiller-Couch (his pen name was Q). In On the Art of Writing: Lectures Delivered in the University of Cambridge, 1913–1914, Sir Arthur Q advised: If you here require a practical rule of me, I will present you with this: ‘Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it- whole-heartedly- and delete it before sending your manuscript to press. Murder your darlings. Observe that Sir Q didnt say murder your whole manuscript. And he didnt tell us to ignore your darlings either. No, he encourages us to put our darlings whole-heartedly onto paper. Just dont send that piece of paper to the publisher. And how did our friend Q define darlings? As a piece of exceptionally fine writing, one that happens to have been written by yourself. A darling is not a wickedly appropriate plot twist or a subtle yet deep character insight. No, it is merely a purported example of exceptionally fine writing. Does it further the story or reveal character or do any of the things that truly fine writing does? Erm, no comment. My takeaway on this: if something helps your reader, dont murder it. If it only make it easier to pat yourself on the back, lose it. Sir Q didnt really say to kill your darlings. He said okay, he said murder your darlings. No way am I going to write one thousand words encouraging you to murder a loved one. So let me adjust the analogy. Nobody wants to think about losing a beloved child. We all want to keep our darlings. But just because we love our darlings doesnt mean that right here is the right place for them. Cute as a three-year-old daughter is, I can think of a lot of places in the house that she doesnt need to be, and a lot of things she doesnt need to be doing. We would never get rid of her, but often we need to say no to her. Her cuteness makes it hard to say no, but not less necessary. Im using the singular feminine when I talk about darlings, calling her she, because losing a favorite character or passage or idea can feel giving up a favorite daughter. Deliberately giving her up, by your own choice, seems even worse. Maybe you feel like youre committing child abandonment. Except it isnt really like that. Once your book goes to press, your readers will never miss your darling. They will never know she is missing. Since she didnt really belong in your book, you will never miss her there. Yes, she seems so precious. But having your writing called precious is not usually a compliment. But what if your darling feels real to you, already a three-dimensional character in your mind or deserving to become one? What if you cant give her up? Fortunately, saying no to your darling this time doesnt mean you cant say yes to her later. Just cut and paste the passage into another file on your computer. Yes, you must remove your darling from where she doesnt belong, but you dont have to delete your darling entirely. Maybe she will fit beautifully in another story. She may become the centerpiece, the key to your new masterpiece. By the way, that other file doesnt need to be reserved only for deceased darlings. You should keep an idea file anyway, for all those ideas which you already know they dont fit into your current project. I like to review my idea files sometimes even when Im not particularly working on anything. It makes me feel more brilliant. I have to recognize, however, that not all my darlings are simply misplaced beauties. Maybe that character isnt as three-dimensional as I believed. Maybe Im deceived about the truthfulness of that plot line. Maybe life isnt really like that. Maybe my affection is misplaced. Regardless, once youve done away with your darling, immediately fill in the hole she left. Read over the part just before the cut, and keep on going and writing from there. How do you recognize a darling that needs to be removed? And where do you find the courage to remove her? Well, we often find courage and wisdom in other people. A writer needs other people alpha readers, beta readers, or a writing group. You need these intelligent, literate people to look into your story, to show you how well they appreciate the good parts (demonstrating their great insight), and to share with you how confused or apathetic they felt when they read the other parts. Inconceivable, isnt it, that so many intelligent readers dont appreciate something that is so obviously brilliant. If only one reader has trouble with it, maybe thats his problem. If many readers have trouble with it, maybe theres your problem. And you need to take care of it. Essentially, your darlings are the beloved parts of your work that dont advance your work. And you need others to help you see the truth, just some parents are incapable of seeing that their three-year-old is spoiled until others point it out. Saying no to your darlings will make you stronger. Suffering tends to do that sort of thing. Accepting another point of view will increase your empathy. Youre giving up something you love out of deference to others. Doing so will make you less selfish and a better writer. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Freelance Writing category, check our popular posts, or choose a related post below:Has vs. HadYay, Hooray, Woo-hoo and Other Acclamations10 Varieties of Syntax to Improve Your Writing

Exemplar Lesson Plan and rationale Essay Example

Exemplar Lesson Plan and rationale Essay Example Exemplar Lesson Plan and rationale Essay Exemplar Lesson Plan and rationale Essay Three objectives have been chosen connecting knowledge and awareness, with understanding and then extending into enhancement of personal resilience skills. This progression of knowledge to conceptual understanding and then skills development is constructivist in design (Piaget 1952) and also equips children with strategies to cope with loss as well as awareness of it, a key principle of effective loss education (Brown 2000, Stokes 2009, Winstons Wish 2011, Child Bereavement Charity 2011) They include awareness of feelings associated with the death of parent, which could be challenged as too sensitive for Y4 children, yet the reality is that many children are bereaved of a parent or experience similar emotions through separation and divorce by the time they are eight or nine (Childhood Bereavement Network 2009). The context here is softened by the use of fiction characters, allowing for empathy and transference of emotions (Brown 2000, Stokes 2009, Winstons Wish 2011, Child Bereavement Charity 2011) but this objective would be reconsidered if there was a child in this class who had been bereaved within the previous two years. In this situation I would consult with the child on the content and give the option of alternative work outside the classroom. Choice and involvement in planning for children who are affected by bereavement is critical to their coping success in these situations (Brown 2000, Stokes 2009, Winstons Wish 2011, Child Bereavement Charity 2011, Jigsaw4u 2011). In addition, Christs (2000) extensive research identified that children of the Y3-4 age range who are bereaved often want to talk about their situation and their lost parents.  The objectives are simple but require both imagination and some recognition of emotions/ feelings. These can be expected from Y4 pupils (DfES SEAL 2005, DfEE 1999, Antidote 2008) but individual class composition and stage of development would need to be a factor in the selection of objectives and in the differentiation of work (Kyriacou 2007, Pollard 2008). Curriculum Links The objectives and content link to the DfEE (1999) National Curriculum Non-statutory Guidelines for PSHE for Key Stage 2 which are currently in use in schools. These require children to communicate their own ideas and views, to use their imagination to identify with other peoples experiences and feelings and to now where support can be obtained for themselves or their family and friends. In addition it has drawn on the SEAL unit on Changes (DfES 2005) which identifies the need for coping strategies in times of life change such as parental loss. Content and Teaching and Learning Approaches  The content has been selected to meet the learning objectives (Kyriacou 2007). It involves interactive group storming of ideas to clarify the orphan status of the fiction character Harry Potter. However the storming in groups then feeding back to the class on all we know about Harry Potter is a way of briefing those children unaware of this character and his situation. The use of the word orphan (written on the board to assist visual recognition of the word and support visual learners (Kyriacou 2007) will focus attention on the main objective of the lesson and context for the following activities. The lesson then adopts a visual stimulus, (again supporting visual learners and introducing variety into the lesson input (Kyriacou 2007) showing an extract from the fist Harry Potter film when Harry is still of primary school age. This is done because this extract The Mirror of Erriseg deals directly with Harrys longing to know and meet his dead parents, something which the extract establishes is impossible. This, whilst sad, reflects the reality of the world the children live in and presents the truth rather than wish fulfilment, a factor which assists adjustment to real events in later life (Stokes 2004, Child Bereavement Charity 2011, Winstons Wish 2011. The development through question and answer addresses how and from whom Harry Potter gets help when he is feeling this sad or miserable moves the lesson onto the issue of strategies for support and also develops pace in the lesson (Kyriacou 2007).  The final activity asks children to draw around their own hand on paper and consider who they could go to if they are feeling sad or miserable. It is designed to help identify multiple support sources in their own life, and is both kinaesthetic in learning approach, developmental, in extending recognition of help and crucially takes the child from a fiction character to themselves all of which assist learning (Kyriacou 2007, Stokes 2004, Child Bereavement Charity 2011, Winstons Wish 2011). Careful supervision of this activity is needed, with those struggling to think of help sources supported by the teacher (who can at least add themselves to a finger on each of these hands (Stokes 2004, Child Bereavement Charity 2011, Winstons Wish 2011, Jigsaw4u 2011). The important point is that the children do have at least someone to turn to and thus should add a positive end to this lesson. Reference List Antidote (2008) The Emotional Literacy Handbook, London: Fulton  Child Bereavement Charity accessed at www.childbereavement.org.uk on 3/9/11  Brown, E. (2000) Loss, Change and Grief: An Educational Perspective, London: Fulton  This book provides a really practice and insightful guide to the support of children with bereavement needs in primary school. It addresses age related needs and responses and practical activities for teachers and support staff to use. It includes a detailed application of grief theory and offers advice on professional support outside school.  Childhood Bereavement Network National Childrens Bureau (2009) Key Findings from new CBN and NCB research in bereaved children, London: CBN/NCB

The Idea of a Traditional Musician in Western Culture Essay

The Idea of a Traditional Musician in Western Culture - Essay Example The idea presents us important information that being a traditional musician means bringing exactly the things from the past at present and initiate them how the ancestors would have done them. The case of Krzysztof is an example of how one might bring the old traditions effectively at play even at present and making them alive just as how the people exactly performed them from the past. This means that Krzysztof is the best example of what a traditional musician is. We can observe from his life how he wants the old tradition that he witnessed from his grandfather to stay at work at present as it was from the past. This probably will bring us another idea that Krzysztof has exactly a great affinity for traditional music that his grandfather introduced to him when he was younger. To become a traditional musician is therefore important because as already stated, it allows the traditions to stay alive at present. 2. Why is Ganga singing important to Bosnia/Herzegovina? Why it is still p racticed? (4 points) There is a strong socio-cultural implication linked to Ganga singing among Bosnia/Herzegovina for it presents the status of friendship in the society and including the associated privilege given to men over women. For example, it is known that boys or men are free to sing Ganga with different groups or singers from other villages, while girls or women will have it exclusive among themselves who have close friendship right from their childhood days and until they get married (Tipton 174). In other words, Ganga singing is a cultural heritage and a significant part of the Bosnian/Herzegovina socialization that eventually defines their actual culture, which is a clear reason why it is still practiced at present. Ganga singing, therefore, depicts the status of men and women in society and potentially illustrates the mark of friendship among individuals. This is another reason why it is still alive at present, as we all know that friendship is a fundamental component of one’s life story or journey from childhood and even at the individual’s coming to maturity of age. 3. Why do you suppose that the communist government banned jazz? What elements of jazz are similar to the music of the Turks and Romani? Why do you suppose the Balkanski Dzhaz was worth the risks that the musicians took to perform it? (8 points) Jazz combines complex and varied thoughts, which people recognize as significant components of technique as a way of forming music (Tipton 117). For this reason, there are many reasons to use jazz simply as a way of conveying varied feelings and emotional appeal. Black Americans have formed jazz as a way of providing an outlet for various issues they are facing in society. For this reason, it is easy for them to express themselves with this form of entertainment, which at the bottom line is not only to entertain but to present a remarkable message that could spark varied feelings and emotional appeal. In the US, jazz could be a form of music that has an underlying message of rebellion, as especially common among young people who definitely have the underlying thoughts that most probably they could effectively express through this music style.  

Western Art History Essay Example | Topics and Well Written Essays - 1250 words

Western Art History - Essay Example On the end view there is reflection on the mirror on the wall behind picture of the king and queen, the paradox is clear as it can be interpreted that the artist is trying to portray the royal couple, however in in-depth view it is seen that the kings daughter was the main focus. This painting by Diego Velazquez is one of the best painting works analyzed in the western paintings because of its complexity and confusing aspects that complicates its ease of understanding. Some of the enigmatic aspects of the painting that raise more questions about the painting include; the undetermined connection between the subjects in the picture and the viewers and the question on the picture being real or just mere illusions (Kleiner 317-326). The relationship that exist between the first view of the picture and the subjects on the picture is clear and can be easily analyzed, the main subject in the painting the king’s eldest daughter Infanta Margaret Theresa is at the center of the portrait and on her side are her maids surrounding her giving out clearly the picture of her being the maid of honor (Kleiner 330-337). Behind the daughters picture on the reflective mirror is the picture of the king and the queen who confusingly appear to be left out of the picture but again seem main subjects of focus. There is provision for vision beyond the front studio with the door that is on the back wall of the painting that confuses whether the character is headed to the studio front or headed away from the studio. I agree and support the argument that the painting is a classical master piece, Diego’s painting gives confusing interpretation that makes understanding of the idea communicated in the picture complex. The artist uses techniques in painting like the use of light and the picture on the reflective mirror to bring out the technique of picture within picture these inclusions of art work makes the picture one of the

Little bee Essay Example | Topics and Well Written Essays - 750 words

Little bee - Essay Example No matter what journey you take it not where you end and what you achieve but what is more important is how you have been able to succeed it; if you have succeed it and if not then it also makes you realize that what have you done to fail it. The path of the journey is more important than the meaning of the journey. It takes minutes, hours, days, weeks, months and even years to reach to the destination but the end it only for a moment; in which you discover the purpose and outcome of the journey; but what is remembered most is how it was conducted; what strategies where made; what personal and professional factors were kept in mind to ensure that we reach to the best outcome. All journey’s taken have a purpose and an aim to achieve; some want to prove that they are strong; some wants to prove that they need help; some wants a break and other are just travelling. All these purposes add up to the different aspect of a human life and personality. Adventurous trips are a reflection of loud nature; where people would put the purpose of the journey above all; even their lives. They are well aware of the fact that how dangerous it can be and no matter how amount of preventive measures are taken they might face the wrath of God. On the other side religious trips is the reflection of subtle nature; where people would want to explore peace and patience and would want to find a way where they can eliminate the world’s pleasure and sacrifice their wishes to achieve the happiness and acceptance of God. People travel miles from the corner of the world to be at the house of God. There are few journey that you take and you know that you are going to take them; you are well prepared all things are in place; everyone around are also involved in making it a better experience; but there are some journey that are not expected like the journey of LIFE. One is never prepared for the unexpected events and the turns that it will take during the course; what moment are